TC electronic SDN BHD Multi-effects Processor G-Natural Manuel d'utilisateur

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Page 1 - User’s Manual

User’s ManualG-Natural

Page 2

same location. “Normal store” is used if you want tochange preset location and maybe the name as well.Quick store- press and hold STORE for 2 seconds.

Page 3 - Warning!

91 - Line InputInput for line instruments such as keyboards etc.Connection type: 1/4” jack.2 - Instrument InputInput for:- Guitar pedal or preamp- Act

Page 4

10 - Mic Pass ThruThis connects directly to the microphone input and isused to connect directly to a mixing console. Whenconnecting microphones that r

Page 5 - TABLE OF CONTENTS

11TYPICAL SETUPSGuitar with piezo pick-upMIXERInstrument inputalgorithm selectmod delaymenusubdivcomp EQ boost reverbBANK UPBANK DNCOMP123MOD DELAYBOO

Page 6

WARNING! When connecting the G-Naturaloutputs to microphone inputs on a mixing console,the phantom power for these channels MUST beswitched off! Other

Page 7 - INTRODUCTION

13As explained in the previous example G-Natural canhandle both a dynamic or condenser microphone and anactive* piezo pick-up system as found is many

Page 8 - OVERVIEW

TYPICAL SETUPS14Basic settings• Set input sensitivity via the levels menu.• Select active effect pressing the COMP, MOD,DELAY and REVERB switches• G-N

Page 9

TYPICAL SETUPS15In project studios you may enjoy utilizing some of theeffects in G-Natural while recording. In this setup weshow a setup with a conden

Page 10 - OPERATION

MENU - ROUTING16RoutingsBasics• Press MENU to access• Select Routing using encoder D• Press MENU to confirm• Set values using encoders A, B and C• Cha

Page 11 - SERIAL NO

17MENU - PEDALPedalBasics• Press MENU to access• Select Pedal using encoder D• Press MENU to confirm• Set values using encoders A, B and C• Change pag

Page 13 - Guitar with piezo pick-up

MENU - PEDAL 18MasterIf an expression pedal is connected to the pedal inputand a preset is recalled, G-Natural can be set up torespond to either the

Page 14 - LR outputs

19MENU - UTILITYUtilityBasics• Press MENU to access• Select Utility using encoder D• Press MENU to confirm• Set values using encoders A, B and C• Chan

Page 15 - TYPICAL SETUPS

20MENU - LEVELSLevels menuBasics• Press LEVELS to access• Set values using encoders A, B and C• Change pages using encoder DWhere nothing else is stat

Page 16

21MENU - LEVELSSerialIn Serial routing with the Mic Pre parameter set to“Vocal”, the input signal on the Mic Pre connection isrouted past the Boost, M

Page 17 - G-Natural in a studio

BoostWouldn’t it be nice if you could just hit a single switchand boost the entire signal for a few important phrases?With the G-Natural boost functio

Page 18 - Routings

23Basics• To activate the Tuner, press and hold the footswitch inthe lower right corner• Set values using encoders A, B and C• Change pages using enco

Page 19 - MENU - PEDAL

24CompressorIntroductionA compressor is used to control the dynamic content of asignal. It can be used both for leveling out the signal’sdynamics (the

Page 20

25EFFECTS - EQReleaseRange: 50 to 2000 msThe release time is the time it takes for the compressorto release the gain reduction of the signal after the

Page 21 - MENU - UTILITY

26EFFECTS - NOISE GATE & BOOSTNoise GateA Noise Gate is generally used to attenuate the signalwhen no signal is present and thus attenuate the his

Page 22 - Levels menu

27EFFECTS - MODDetuneThe detune effect is – to some extent – similar to achorus: The source signal is split and a specified amountof the signal is det

Page 23

1 Read these instructions.2 Keep these instructions.3 Heed all warnings.4 Follow all instructions.5 Do not use this apparatus near water.6 Clean

Page 24 - BOOST FUNCTION

28EFFECTS - MODTremoloA tremolo is basically a change of the signal levelcontrolled by an LFO. The G-Natural offers variations ofthis effect; ranging

Page 25 - THE TUNER

29EFFECTS - MODChorus The basic idea of a chorus effect is to split the signal andpitch modulate one of the signals slightly, then mix thetwo signals

Page 26 - EFFECTS - COMPRESSOR

30EFFECTS - REVERBReverb TypesG-Natural features four different reverb classics. All typeshave identical editable parameters, but the reverbs’characte

Page 27 - G-Natural EQs and Noise Gates

31EFFECTS - DELAYTapeThe Tape Delay simulates historical, tape-based delays,including the clipping sound that occurs when theFeedback parameter is yan

Page 28 - Noise Gate

TECHNICAL SPECIFICATIONS32Digital Inputs and OutputsConnectors:Formats:Sample Rates:Frequency Response DIO:Analog InputsConnectors, balanced: Impedanc

Page 29 - EFFECTS - MOD

EMC/EMIThis equipment has been tested and found to complywith the limits for a Class B Digital device, pursuant topart 15 of the FCC rules.These limit

Page 30

TC Electronic, Sindalsvej 34, DK-8240 Risskov – [email protected] Manual revision 1.1– SW – V 1.01Prod. No: E60507612English VersionINTRODUCTIONSa

Page 32 - Delay Types

INTRODUCTIONCongratulations on the purchase of your G-Natural. G-Natural is the world’s first multi-effects processor for the seriousacoustic guitar p

Page 34 - TECHNICAL SPECIFICATIONS

1 - Effect Edit/Select buttonsPress once to enter edit mode for the current effect.Press again to toggle between the different effect types.2 - Variat

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